At 41, the Parisian singer releases her second album, À l’évidence. A lush, almost Californian-accented album that lifts the veil on some of her wounds.
It’s at Yves Simon that we owe the first time we heard the voice of this singular singer. With a rare grace, the young woman covered her elder’s hit, Les Gauloises bleues. Six years later, Clou is back with a new album, À l’évidence (Tôt ou tard), which should make him one of the most assured talents of his generation. “ It represents two years of work during which I felt at my place. I realized that my songs were more polished than on the first album, and that my singing style was more deeply rooted.she explains. I approached this recording full of doubts but without fear. “
After working in Dan Levy’s Normandy studio on the previous album, Clou entrusted the sound design of this one to Stan Neff, a young director on the scene. “ I’m a city girl through and through, confides the native of the 20e rounding. I had a choice of songs, my record company was enthusiastic…
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